Acrylic Felt Swatch Book: How to Create Your Own

Mohamed LARBI DAOUADJI
Nuancier de marqueurs acryliques fait main organisé par familles chromatiques
🎨 Personal color chart ⏱️ 1 hour to create 💾 Useful for life 📏 Pro method 🆓 Free

Do you open your acrylic marker case and hesitate for 5 minutes before each creation to choose the right color? Have you ever bought the same shade twice because you forgot you already had it? A personal color chart solves these problems in an hour, for life.

A personal acrylic marker color chart is one of the most cost-effective investments for any artist, amateur or professional. Unlike the colors shown on packaging or on screen — which never exactly match the actual rendering — a physical color chart gives you the absolute truth: the true color, on your true medium, with your true materials.

In this article, you will learn the exact method to create a professional color chart in 1 hour, organize it intelligently, and evolve it with your palette. This method has been proven effective after 8 years of practice.

The benefits of a personal color chart

A color chart provides 4 concrete benefits:

  • Huge time saving during creations (no haphazard testing)
  • Better understanding of your palette (you see gaps and duplicates)
  • Quick creative decisions (color validation in 3 seconds)
  • Avoids duplicate purchases (you'll never buy the same shade twice again)

An initial investment of one hour that will serve you for years.

Why create your own color chart

The colors displayed on packaging or on screen do not 100% correspond to the actual rendering. Several factors:

  • Screen calibration varies from device to device
  • Packaging is printed in CMYK, not with acrylic paint
  • Each medium absorbs paint differently
  • The paper weight influences the final shade

A physical color chart gives you the absolute truth.

Choosing the right medium

Golden rule: use the same paper as for your usual creations. A marker doesn't look the same on:

  • Smooth Bristol paper 250 gsm
  • Marker paper 75 gsm (less absorbent, brighter colors)
  • Kraft paper (matte appearance, warm tones)
  • Recycled paper (duller tones)
  • Watercolor paper (strong absorption, more pastel rendering)

Opt for a minimum paper weight of 200 gsm to avoid transparency.

Necessary equipment

  • A4 sheets of chosen paper (3 to 5 sheets depending on palette)
  • Ruler and HB pencil
  • Eraser
  • Fine black pen like Pigma Micron 0.3 mm
  • All your acrylic markers
  • Plastic sheet protector or display book for storage
  • Hole punch (optional, for binder)

The ideal structure

Draw regular 2 x 3 cm boxes in a grid. In each box:

  1. A solid color fill (upper third)
  2. A gradient towards white (middle third)
  3. The marker's number / code (bottom left)
  4. The shade name (bottom right)

A4 format = approximately 40 to 60 boxes depending on spacing.

Organizing by color families

Recommended classification, inspired by the color wheel:

  1. Yellows (lemon, mustard, yellow ochre)
  2. Oranges (bright orange, brick, coral)
  3. Reds (vermilion, carmine, burgundy)
  4. Pinks (fuchsia, powder, salmon)
  5. Violets (lavender, mauve, eggplant)
  6. Blues (sky, cobalt, navy)
  7. Greens (forest, mint, olive)
  8. Browns and ochres
  9. Neutrals (black, grey, white)
  10. Metallics and neons (separated)
  11. Skin tones (for portraits)

This classification provides an immediate overview of your palette.

Testing solid fill + gradient + blend

For a truly useful color chart, test three renderings:

  • Pure solid fill: full coverage rendering
  • Gradient towards white: lighter pressure, shows dilution
  • Blend with neighboring color: blending behavior

These three tests cover 90% of real-world uses.

Labeling and referencing

Each box must include:

  • The supplier code (e.g., PC-8K Posca, Molotow 170, etc.)
  • The shade name as indicated on the marker
  • An optional personal note (★★★ for your favorites, ✗ for those to avoid)

This will allow you to repurchase the exact same color later.

A5 vs A4 vs notebook format

  • A5 (21 x 14.8 cm): portable, fits in a pencil case. Ideal if you have a limited palette (max 30 colors)
  • A4 (21 x 29.7 cm): the standard size, 40 to 60 boxes per page
  • Dedicated notebook: expandable, add pages over time
  • Loose-leaf binder: most flexible, you can reorganize as you wish

Multiple color charts per medium

If you paint on multiple surfaces, create a color chart for each type:

  • Bristol paper color chart
  • Kraft paper color chart
  • Canvas color chart
  • Raw wood color chart
  • Cotton fabric color chart

Colors really change between these surfaces. A fluorescent yellow can look pale on kraft and vibrant on Bristol.

Updating your color chart

Every time you buy new markers, add them. Maintain an evolving format. If you have a complete set of up to 288 colors, plan for several pages categorized by family.

Also remove entries for dead or unused markers: an overcrowded color chart becomes illegible.

Protecting your color chart over time

  • Transparent plastic sleeves in a binder (moisture protection)
  • Store away from direct sunlight (prevents UV fading)
  • Never fold the pages (breaks the colors at the creases)
  • Do not touch the solid fills with bare hands (fingerprints)

Complementary digital version

In addition to the physical version, create a digital version (Google Sheets, Notion, dedicated app) with:

  • Scanned photo of your color chart
  • Reference list for easy reordering
  • Usage notes and favorites
  • Links to the stores where you buy them

Convenient for ordering refills on the go.

Expert tips

  • Redo your color chart every 2-3 years: pigments can slightly drift
  • Test under different lights (natural, neon, tungsten) to see variations
  • Note the creation date of each color chart (allows tracking aging)
  • Share your color chart with your students or collaborators for team consistency
  • Compare before buying: photograph your color chart before buying new colors to avoid duplicates

FAQ

How long does it take to create a complete color chart?

Approximately 1 hour for 40 colors, 2-3 hours for a complete palette of 120+ colors.

Can you buy ready-made color charts?

Some brands offer official color charts, but they don't reflect your paper or your actual stock. A personal color chart is always more useful.

Do you need to redo a color chart if you change marker brands?

Yes, absolutely. Each brand has its own formulations and shades vary significantly.

What if a color on the color chart no longer matches the marker?

The marker is probably at the end of its life (separated pigments, damaged tip). Time to replace it.

Should the color chart be artistic or functional?

Functional first. A beautiful but poorly organized color chart is useless. A simple but clear color chart is your best daily ally.

With your color chart, you are now equipped to create effectively. To make the most of your palette, discover our 12 essential acrylic marker drawing techniques. To organize your materials, check out the best storage solutions for acrylic markers. And to intelligently complete your palette, read our advice for buying an inexpensive acrylic marker without making a mistake.

Building more natural gradients and shadows

Understanding the light, medium, dark logic

A good gradient rarely relies on only two colors. It works best with three values: a light shade, a medium shade, and a dark shade. This progression makes the transition more natural.

The color chart is therefore essential. It allows you to see color families, brightness differences, and possible associations. Without a color chart, you often choose by eye and the result can be too harsh.

Large sets are particularly useful for this purpose, as they offer intermediate shades. The more close nuances you have, the easier it becomes to build your shadows and transitions.

Applying layers in the correct order

Start with the lightest color. It serves as a base and keeps the area bright. Then add the medium shade, and finally the dark color only where the shadow should appear.

With acrylic markers, it's better to work in thin layers. Too much ink can create marks, slow drying, or make the effect less clean.

Always test the combination on a draft. Two colors may seem close in the box and turn out very different on paper.

Avoiding inconsistent shadows

Before shading, decide where the light source is coming from. If the light comes from the top left, the dark areas should logically be placed on the opposite side. This makes the drawing more believable.

In coloring, this simple rule is often enough to transform a page. Even a small, consistent shading adds more volume than a uniform color.

Don't try to shade every detail. Choose a few important areas and keep the rest simpler. The eye will better understand the form.

How to apply these tips right now

In the context of Acrylic Marker Color Chart: How to Create Your Own, the goal is not to add theory to fill the page. The goal is to make the guide more useful: understanding what to do, in what order, with what material, and what mistakes to avoid.

To take action, choose a small test related to the article's topic. On a simple surface, apply a first color, observe the rendering, then add a second step only when the first is dry. This progression avoids spoiling your final creation.

This test-based approach is particularly important with acrylic markers, as each surface reacts differently. Paper, fabric, glass, wood, canvas, or coloring pages do not require exactly the same pressure or drying time.

The choice of recommended product in this guide is therefore not added randomly. It corresponds to the main need of the subject: more nuances for coloring, more precision for surfaces, more softness for pastel tones, or more reliability for comparisons.

If you want to continue with a suitable product, you can opt for Acrylic Marker 120 to 288 Colors - The Universe. This product allows you to directly apply the article's tips with consistent material.

Why aiming for better material changes the experience

Good material doesn't automatically turn a creation into a masterpiece, but it eliminates many frustrations. A more consistent tip, a more stable color, and a better-chosen palette allow you to focus on the gesture rather than on the product's flaws.

When the marker responds well, you are more easily daring to test a shadow, add a detail, restart an area, or explore a new surface. This confidence is important, especially when starting out or when wanting to resume a creative activity without pressure.

Conversely, an unsuitable tool can give the impression that the problem comes from you. Too light a color, dry tip, lack of nuances, smudges, or uneven rendering can discourage even a good idea.

That's why the article should always link technique to product choice. The reader doesn't just want to know what to do: they want to know what to do it with to get a clean result.

Checklist before finishing your project

  • Prepare a light, medium, and dark range.
  • Test colors in a color chart.
  • Work in thin layers.
  • Define the light source.
  • Keep the darkest shadows for last.

Once this checklist is followed, you have already avoided the majority of common mistakes. You can then proceed more calmly, test other colors, and progressively improve your creations.

The most important thing is to maintain a simple logic: prepare, test, apply, let dry, then add details. This method works for most creative uses related to acrylic markers and pens.

Additional advice related to the topic

To further enhance the quality of your result, take the time to compare two attempts side-by-side. The first can be done quickly, the second more slowly with the advice from this guide. The difference often shows the importance of the gesture, drying, and marker choice.

This type of test is very useful before working on a final medium. It allows you to better understand the color, tip, absorption, and final effect. The smarter you test, the less time you waste correcting later.

Also, keep your tests. They become a reference for your next creations and prevent you from repeating the same tests for each new project.

Additional tip related to the topic

To further enhance the quality of your result, take the time to compare two tests side-by-side. The first can be done quickly, the second more slowly with the advice from this guide. The difference often shows the importance of the gesture, drying, and choice of marker.

This type of test is very useful before working on a final medium. It allows you to better understand the color, tip, absorption, and final effect. The smarter you test, the less time you waste correcting later.

Also, keep your tests. They become a reference for your next creations and prevent you from repeating the same tests for each new project.

Additional tip related to the topic

To further enhance the quality of your result, take the time to compare two tests side-by-side. The first can be done quickly, the second more slowly with the advice from this guide. The difference often shows the importance of the gesture, drying, and choice of marker.

This type of test is very useful before working on a final medium. It allows you to better understand the color, tip, absorption, and final effect. The smarter you test, the less time you waste correcting later.

Also, keep your tests. They become a reference for your next creations and prevent you from repeating the same tests for each new project.

Additional tip related to the topic

To further enhance the quality of your result, take the time to compare two tests side-by-side. The first can be done quickly, the second more slowly with the advice from this guide. The difference often shows the importance of the gesture, drying, and choice of marker.

This type of test is very useful before working on a final medium. It allows you to better understand the color, tip, absorption, and final effect. The smarter you test, the less time you waste correcting later.

Also, keep your tests. They become a reference for your next creations and prevent you from repeating the same tests for each new project.

Additional tip related to the topic

To further enhance the quality of your result, take the time to compare two tests side-by-side. The first can be done quickly, the second more slowly with the advice from this guide. The difference often shows the importance of the gesture, drying, and choice of marker.

This type of test is very useful before working on a final medium. It allows you to better understand the color, tip, absorption, and final effect. The smarter you test, the less time you waste correcting later.

Also, keep your tests. They become a reference for your next creations and prevent you from repeating the same tests for each new project.

Marqueur acrylique 120 à 288 couleurs pour coloriage lettering et loisirs créatifs
The most comprehensive set

Acrylic Marker 120 to 288 Colors - The Universe

This product is directly related to the subject of this guide: it allows you to start practicing with a suitable tool, without spending hours searching for the right materials.

  • Up to 288 colors so you never run out of shades
  • Ideal for adult coloring, mandalas, gradients, and detailed creations
  • Perfect for working on shadows, backgrounds, flowers, and effects
Discover "The Universe" set

Next read: continue with our guide on mixing acrylic markers and creating gradients.

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